The Fiction of the Fever: How Barry Manilow Engineered the Immortal Noir of Lola and Rico

 

INTRODUCTION

On a humid evening in 1978, amidst the velvet curtains and cigarette smoke of the legendary Copacabana nightclub on East 60th Street in Manhattan, Barry Manilow and lyricist Bruce Sussman sat observing the frantic energy of the disco era. It was here that the seeds of a musical “movie” were planted. Sussman turned to Manilow and asked if there had ever been a song titled after the iconic venue. When they realized the oversight, they set out to create a three-act tragedy contained within a four-minute dance track. While the world came to believe that Lola, the showgirl with yellow feathers in her hair, and Rico, the diamond-wearing diamond-dealer, were ghosts of a bygone era, they were in fact meticulously crafted archetypes. This fictional drama became the cornerstone of Manilow’s 1978 album Even Now, transforming a mere nightclub into a global theater of the imagination.

THE DETAILED STORY

The narrative of “Copacabana (At the Copa)” is a masterclass in narrative architecture, utilizing the “show-don’t-tell” philosophy of investigative journalism. While many fans have spent decades searching for the “real” Lola at the New York or Miami iterations of the club, Manilow has confirmed in multiple interviews with Billboard and Variety that the characters were entirely invented. The song’s structure—spanning thirty years from the height of the club’s glamour in 1948 to the tragic, alcoholic decline of the protagonist—was designed to evoke the gritty, Technicolor noir of classic Hollywood. By the time the song reached its peak on the Billboard Hot 100 on 08/12/1978, the public had fully adopted Lola and Rico into the American pop-culture canon, treating them as historical figures rather than lyrical constructs.

The success of the characters was so profound that they demanded an expansion beyond the three-verse limit of a single. In 1985, the song was adapted into a full-length television movie for CBS, starring Manilow himself alongside Annette O’Toole. This production, which cost several million USD to produce, fleshed out the backstories of the fictional trio, further blurring the lines between reality and artifice. Later, a stage musical further solidified the legend. Throughout these adaptations, Manilow maintained the integrity of his creation, ensuring that the emotional stakes—the fatal confrontation between Tony and Rico—remained the central pivot point of the narrative.

Today, as Manilow’s residency at the Westgate Las Vegas Resort & Casino continues to draw record-breaking crowds in April 2026, “Copacabana” remains the climax of his nightly spectacle. The song’s longevity is a testament to the power of fictional storytelling in the music industry. It proves that a well-crafted myth, when anchored by a relentless disco beat and a $100,000,000 USD production value, can outlast the brick-and-mortar institutions that inspired it. Lola and Rico may never have existed in the flesh, but in the realm of the American narrative, they remain as real as the 85-degree Fahrenheit heat of a Havana night.

Video: Barry Manilow – Copacabana (At the Copa) Remix

By admin

Leave a Reply

Your email address will not be published. Required fields are marked *